High-end-systems DL.3 User Manual Page 24

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CHAPTER 1
Product Overview
2 DL.3 Digital Light User Manual
Accessory Long Throw (2.4 - 4.3:1), Ultra Long Throw (4.3-6:1), and Wide Angle (1.3-
1.8:1) Zoom lenses are available to maximize fixture positioning options.
Advanced filtration system reduces overall fixture noise
Vertical lens shift capability reduces pixel loss due to keystone correction
A royalty-free stock digital art collection features more than 1,500 lighting-optimized files.
DL.3 software utilizes Windows XP Embedded and DirectX technology
Powerful Content Management and Configuration software can remotely manage multiple
DL.3, DL.2, and Axon media servers over an Ethernet network
Integrated Sony camera with Super HAD image sensor technology and infrared illuminator
provides live video input and output from fixture location.
Allows importing of custom content including: 3D objects, media files, still images.
DMX512 or Art-Net options for DMX console connection
Provides remote software upgrade capability
Graphics Engine
Supports simultaneous playback of three discrete media streams on separate 2D/3D objects
Image Optimizing Controls let you adjust both Black Level and Contrast for each cue and for
each image
30 Object parameters give you graphic controls for each individual media stream including:
A choice of multiple play modes and play speeds
The ability to define any segment of a video loop including Scrub capability
Multiple color mixing and visual effects that can be combined any way you choose
Variable Opacity to allow for crossfading or dissolves between media streams
Full control of image Rotation, Positioning and Scaling on X, Y and Z axes
Visual Modes that let you control black level and contrast to optimize content
Video input or camera capture you can apply to 2d/3d objects
35 Global parameters provide graphic controls to the composite image created by up to 3
media streams
Collage Generator™ technology configures multiple media server outputs to display a
single image in arrays up to 8 x 8.
Curved Surface Support corrects for shape distortions that occur when you project onto
surfaces that aren’t flat.
Intensity overlays the opacity control to provide system-wide intensity level
Overall image Color Mixing applied to composite media stream image
Color Effects including edge colors allow for combined image color mixing
Multiple Mask selections with edge fading and strobe effects
Edge fading for creating montages
Keystone correction on output projection
Viewpoint controls provide ability to change viewing angle/perspective on images
Multiple modes are available for synchronizing content playback on multiple media servers
linked through an Ethernet network.
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